As many of you know, I’m a sucker for baroque music, with a passion for Monteverdi (early italian), Bencini (middle italian, roman style), Galuppi (late italian, Venezian style), Telemann (late german), Schutz (early german with italian influences), Lalande (late french, small steps away from the dominating Lully style), Biber (middle italian in Austria, violin extraordinaire).
But I do occasionally sin, I do have a musical past, and dip my musical ear in more modern stuff still. Mostly, this is due to listening to Pandora.com at work which is a kind of a digital radio with empathy; I can pop in a tune I like or an artist I appreciate, and it will play music of a somewhat similar kind. And sometimes it presents stuff to me that’s new and that I like, which is what this post is all about.
Regina Spektor : I have no idea what music Pandora.com thought I had in common with regina, but one day she popped up, and I took notice. She’s of Russian-Jewish background, but have lived in New York since she was about 10. She’s a singer/songwriter/pianoplayer/guitarfiddler that comes up with the most amazing tunes, and she’s not afraid of being different. And I think it is this “different” that I like so well with her; strange noises, pivots of musical direction, strange lyrics, using her voice as more than just a pretty voice (and she really has a pretty, strong voice). She’s not afraid of letting the music be music, and that’s quite refreshing; song structure follows the musicality of it, not some verse-refrain-verse-refrain-brigde-refrain-refrain pattern we’re so sick of these days. Good stuff; here’s a few videos ;
Happy Rhodes : Combine an amazing sense of feel with the voice markup of Kate Bush and Annie Lennox, you’ve got Happy; diverse yet uniquely Happy Rhodes music, with a voice that continue to amaze me by its range and clearity within it. I used to have a crush on Kate Bush, and maybe this crush is the continuation of it. Here’s a fantastic live recording : listen out for where she switches voice register at around 2:10 without wffort, without it sounding wrong ;
Home Video : melancholic modern quirky. Not even sure why I like it. I don’t think these guys are famous, nor do I think they will be, at least not in this configuration. I think they appeal to people who quite enjoy subtle melodic changes over longer periods of time, you know, those who also liked bolero, except with a modern beatbox twist.
Ambrosia : Tickles me with their Toto sound (I’m a fan of the older Toto, and a worshipper of the ground that Jeffrey Porcaro walked on), a band of the late 70’s and early 80’s. Look for their album “One Eigthy” which is produced by the faboulus Michael McDonald (“Yah Mo B There!“, the Doobie Brothers) and features the amazing Richard Page of Pages and Mr Mister fame (of which I adore). Here’s a video ;
Piano magic : Again a quirky creative modern sound. My last band before I got married and had kids were a band called “sundrunk” (yes, as in Nietsche) where I was producer, percussion, arranger, drummer, synther, whatever, and Piano Magic reminds me a lot of what we were doing. It’s not so much a favourite kind of music as it’s an interesting expression I enjoy listening to.
The Magnetic Fields : I’ve always loved Tom Waits. This is his more melodic cousin, more on the road than down the alley, yet as deliciously melancholic and bare, like a Waits younger brother that went back to school and kept his dayjob. And then moved on.
Mellow and or electronic : Suzanne Ciani has surprised me with complex and melodic compositions. I’m mostly happy with my Tangerine Dream / Klaus Schulze / Vangelis / Kitaro setup and I’ve been looking for other things, but not much has popped up in this category.
There’s also the occasional song by the occasional group / person that catches my ear, and maybe I’ll talk about them in the future. Until then, enjoy the music, and I’ll leave you with one of my all-time favourite Victor Borge pieces. I simply love this!